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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
October 24–26 – Expedition-Concert of the Georgian Traditional Music Ensemble “Ialoni” in Samegrelo
#Folk Songs
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2025/10/24
#Folk Songs
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2025/10/23
Articles
14041
#World Cultural Heritage
Naxhije Bytyqi, Singing Male Epics as a Woman in Kosovo
6711
#Ethnography
The Yard-Keepers of Tbilisi: Invisible Heroes Living Next to Us for Centuries
5876
#Interviews
“Daddy's Garmoni -Playing Girl” - Lela Tataraidze
1576
#Musical Instruments
Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
2154
#Letter from the Editors
11542
#Photo Essays
George Balanchine in Guria
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
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#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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